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THE PHILIPPINES CONNECTION
In an overfilled church Monsignor Cristobal Garcia, one of the best known ivory collectors in the Philippines, leads an unusual rite honoring the nation’s most important religious icon, the Santo Niño de Cebu (Holy Child of Cebu). The ceremony, which he conducts annually on Cebu, is called the Hubo, from a Cebuano word meaning “to undress.” Several altar boys work together to disrobe a small wooden statue of Christ dressed as a king, a replica of an icon devotees believe Ferdinand Magellan brought to the island in 1521. They remove its small crown, red cape, and tiny boots, and strip off its surprisingly layered underwear. Then the monsignor takes the icon, while altar boys conceal it with a little white towel, and dunks it in several barrels of water, creating his church’s holy water for the year, to be sold outside.
Garcia is a fleshy man with a lazy left eye and bad knees. In the mid-1980s, according to a 2005 report in the Dallas Morning News and a related lawsuit, Garcia, while serving as a priest at St. Dominic’s of Los Angeles, California, sexually abused an altar boy in his early teens and was dismissed. Back in the Philippines, he was promoted to monsignor and made chairman of Cebu’s Archdiocesan Commission on Worship. That made him head of protocol for the country’s largest Roman Catholic archdiocese, a flock of nearly four million people in a country of 75 million Roman Catholics, the world’s third largest Catholic population. Garcia is known beyond Cebu. Pope John Paul II blessed his Santo Niño during Garcia’s visit to the pope’s summer residence, Castel Gandolfo, in 1990. Recently Garcia helped direct the installation of Cebu’s newest archbishop in a cathedral filled with Catholic leaders, including 400 priests and 70 bishops, among them the Vatican’s ambassador. Garcia is so well known that to find his church, the Society of the Angels of Peace, I need only roll down my window and ask, “Monsignor Cris?” to be pointed toward his walled compound.
Some Filipinos believe the Santo Niño de Cebu is Christ himself. Sixteenth-century Spaniards declared the icon to be miraculous and used it to convert the nation, making this single wooden statue, housed today behind bulletproof glass in Cebu’s Basilica Minore del Santo Niño, the root from which all Filipino Catholicism has grown. Earlier this year a local priest was asked to resign after allegedly advising his parishioners that the Santo Niño and images of the Virgin Mary and other saints were merely statues made of wood and cement.
“If you are not devoted to the Santo Niño, you are not a true Filipino,” says Father Vicente Lina, Jr. (Father Jay), director of the Diocesan Museum of Malolos. “Every Filipino has a Santo Niño, even those living under the bridge.”
Each January some two million faithful converge on Cebu to walk for hours in procession with the Santo Niño de Cebu. Most carry miniature Santo Niño icons made of fiberglass or wood. Many believe that what you invest in devotion to your own icon determines what blessings you will receive in return. For some, then, a fiberglass or wooden icon is not enough. For them, the material of choice is elephant ivory.
I press through the crowd during Garcia’s Mass, but instead of standing before him to receive Communion, I kneel.
“The body of Christ,” Garcia says.
“Amen,” I reply, and open my mouth.
After the service I tell Garcia I’m from National Geographic, and we set a date to talk about the Santo Niño. His anteroom is a mini-museum dominated by large, glass-encased religious figures whose heads and hands are made of ivory: There is an ivory Our Lady of the Rosary holding an ivory Jesus in one, a near-life-size ivory Mother of the Good Shepherd seated beside an ivory Jesus in another. Next to Garcia’s desk a solid ivory Christ hangs on a cross.
Filipinos generally display two types of ivory santos: either solid carvings or images whose heads and hands, sometimes life-size, are ivory, while the body is wood, providing a base for lavish capes and vestments. Garcia is the leader of a group of prominent Santo Niño collectors who display their icons during the Feast of the Santo Niño in some of Cebu’s best shopping malls and hotels. When they met to discuss formally incorporating their club, an attorney member cried out to the group, “You can pay me in ivory!”
I tell Garcia I want to buy an ivory Santo Niño in a sleeping position. “Like this,” I say, touching a finger to my lower lip. Garcia puts a finger to his lip too. “Dormidostyle,” he says approvingly.
My goal in meeting Garcia is to understand his country’s ivory trade and possibly get a lead on who was behind 5.4 tons of illegal ivory seized by customs agents in Manila in 2009, 7.7 tons seized there in 2005, and 6.1 tons bound for the Philippines seized by Taiwan in 2006. Assuming an average of 22 pounds of ivory per elephant, these seizures represent about 1,745 elephants. According to the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES), the treaty organization that sets international wildlife trade policy, the Philippines is merely a transit country for ivory headed to China. But CITES has limited resources. Until last year it employed just one enforcement officer to police more than 30,000 animal and plant species. Its assessment of the Philippines doesn’t square with what Jose Yuchongco, chief of the Philippine customs police, told a Manila newspaper not long after making a major seizure in 2009: “The Philippines is a favorite destination of these smuggled elephant tusks, maybe because Filipino Catholics are fond of images of saints that are made of ivory.” On Cebu the link between ivory and the church is so strong that the word for ivory,garing, has a second meaning: “religious statue.”
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